Satipatth
na is sometimes translated as the Foundations of Mindfulness and some time as the Establishing of (i.e. governance by) Mindfulness. Technically, it is the method of practice that makes use of sati most fruitfully, as indicated in the Buddhas words in the Mah
Satipatth
na Sutta:
This is the one way, O Bhikkhus, for the purification of beings, for the passing beyond sorrow and lamentation, for the cessation of pain and distress, for the attainment of the Supramundane Path, for the realization of Nibb
na, namely, the Four
Satipatthna.
The development of Satipatth
na is a very popular method of
Dhamma-practice and is highly praised and revered. It is considered to incorporate both samatha (calm) and vipassan
(insight) cultivation. The wayfarer may choose either to develop samatha until the attainment of absorption before developing vipassan
based on the Four Satipatth
na as a way of reaching his goal, or he may develop Satipatth
na-vipassan
in dependence on only an initial level of sam
dhi, the minimum that is sufficient for his purpose.
Vipassan
is an important principle of Buddhist practice which, though widely known, is also widely misunderstood, and is thus a matter deserving some clarification. The following basic outline of Satipatth
na will help to provide a better understanding of the meaning of vipassan
, from its essential nature to its field of actions and its variation, as well as the extent to which its application is possible in daily life and what the benefits of such application may be. However, there is no intention to make a through study of vipassan
here. The aim is merely to convey as much of an understanding of it as can be obtained from looking at the essential features
In brief, the main elements of Satipatth
na are as follows:
1. K
y
nupassan
, contemplation or mindfulness of the body;
(a)
nupassan
, going to scheduled place, sitting cross-legged and focusing sati on ones inhalations and exhalations;
(b) Iriy
patha, Focusing on posture, clearly perceiving the present mode of disposition of the body, whether standing, walking sitting, or lying down;
(c) Sampaja
a, maintaining clear comprehension in every kind of action and movement, e.g., moving forward, looking around, stretching our the arm, dressing, chewing, eating, drinking. urinating, excreting, walking up, going to sleep, speaking and keeping silent;
(d) Patik
lamanasik
ra, contemplating ones body, from the top of the head to the soles of the feet, as a repository of a large number of unattractive constituents;
(e) Dh
tumanasik
ra, contemplating ones body by considering it separated into its four constituent elements;
(f) Navas
vathik
, looking at corpses in nine different stages of decay, from one newly dead to one reduced to crumbling bones, and, in each case, applying what is seen to oneself, reflecting that ones own body must meet a similar fate;
2. Vedan
nupassan
, mindfulness of feeling, i.e. when a feeling of pleasure, pain, or indifference arises, whether associated with sensual desires or unassociated with them, one has a clear perception of it in its actuality at the moment of occurrence;
3. Citt
nupassan
, mindfulness of mind, i.e. how the mind is at a given moment-for instance, whether sensual desire is present in it or not, whether aversion is present in it or not, whether it is agitated or concentrated, liberated or still fettered, etc., one has a clear perception of the underlying state of mind, in its actuality in the present moment;
4. Dhamm
nupassan
, mindfulness of dhammas;
(a) N
varana (hindrance), clear perception, in that moment, of whether any of the Five Hindrances is present in the mind or not, the way in which as-yet unarisen hindrances arise, how hindrances already arisen may be abandoned, and how hindrances already abandoned may be prevented from re-arising;
(b) Khandha (aggregate), comprehension of the nature of each khandha, how it arises and how it ceases;
(c)
yatana (sense-base), clear perception of each of the internal and external sense-bases and of the fetters that arise dependent on them, how those already arisen may be abandoned and how those already abandoned may be prevented from re-arising.
(d) Bojjha
ga (limbs of enlightenment), clear perception, in that moment, of whether or not any of the Seven Limbs of Enlightenment is present in ones mind, how those as-yet unarisen may arise and how those already arisen may be developed to fullness;
(e) Ariyasacca, clear and authentic perception of each of the Four Noble Truths.
In the Mah
Satipatth
na Sutta, at the end of every one of the above clauses, there is an identical refrain:
The bhikkhu contemplates the body in the body internally (i.e. ones own body), contemplates the body in the body externally (anothers body), or contemplates the body in the body both internally and externally. He contemplates arising in the body; he contemplates dissolution in the body; he contemplates both arising and dissolution in the body. He possesses clear mindfulness of the existence of the body, solely to the extent necessary for a bare knowledge of it, sufficient for it to serve as an object of recollection. Thus he lives independently, clinging to nought in the world.
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